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PUBLISHING III (BUSINESS PRACTICES) - BWR303

Duration (approx) 100 hours
Qualification To obtain formal documentation the optional exam(s) must be completed which will incur an additional fee of £30. Alternatively, a letter of completion may be requested.

Commercial Non-Fiction Publishing


This course focusses on the commercial non-fiction aspects of the publishing industry.

  • Learn more about the business side of the publishing industry.
  • Learn about publishing books, journals, newspapers and much more.
  • Study in the comfort of your own home with help from our highly experienced tutors.

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Commercial Non-Fiction Publishing Course

Every publisher will answer the same question, but in a different way: 

 “What to publish?”

Some establish a limited repertoire of publication activities, focusing on academic books, novels, westerns, romance novels, text and educational books, informative or self-help books or material on specific topics such as health and wellbeing, ostrich farming etc., fashion or gardening magazines, music scores etc.

Other publishers will engage in a wider range of activities, publishing books, journals, monographs and newspapers in their different branches. The nature of the publishing enterprise will determine what kinds of texts they will publish, and how they choose which texts to publish.

All publishers share one thing in common though: that being their primary concern is to maintain a viable business operation.  This course focuses on the Business side of publishing.

Publishing enterprises include small book publishers and large publishing houses, magazine publishers, desktop publishers, e-zine publishers, self-publishing enterprises, and non-profit organisations involved in publishing, such as universities, galleries, professional bodies, community groups. 

All of these publishers follow a similar 6 step cycle in producing their work:

  1. Writing or commissioning the document (for commissioned works); accepting a manuscript for publication
  2. Editing and proofreading
  3. Designing the document and preparing artwork
  4. Typesetting
  5. Printing
  6. Marketing and distributing the publication.

While a production manager generally oversees this production process, a publisher will oversee that person and others controlling the spending and ensuring each project remains viable.

This course will help you understand these and other business requirements and practices in the publishing industry. 

COURSE CONTENT

There are seven lessons in this module/course as follows:

  1. What to publish in commercial non-fiction
    • The difference between non-fiction and commercial non-fiction
    • Using strong voice and narrative
    • Types of non-fiction
    • Non-fiction genres
    • Using reader interest and expectations to help decide what to publish
    • Identifying a perceived need
    • Using cost and profit-making potential to make decisions
  2. Planning a New Publication : Developing a Non-Fiction Book Proposal
    • Why self-publishers need a book proposal
    • Considering the publisher/business perspective
    • What the author wants vs. what the reader wants
    • Questions to ask and answer in the book proposal
  3. Starting the publication process
    • Editing and proofreading
    • Typesetting
    • Standard book sizes
  4. Financial Management and Costing a Publication
    • Overview of potential outside services required for self-publishing
    • Print vs eBook
    • Market analysis for publishing in print
    • Competitor analysis
    • Estimating initial print run
    • Creation costs
    • Production costs
    • Marketing costs
    • Distribution costs
    • How royalties work
  5. Managing Resources and Expectations
    • Comparing resources for print vs ebooks
    • Print on demand
    • Just-in-time printing
    • Overview of print expenses
    • Resources required for ebook publishing
    • Analysing the market
    • Developing a business plan
    • Business plan framework
  6. Risk Management
    • Financial Risks
    • Scalability and Risk Management
    • Production
    • Copyright
    • Legal risks
    • Protecting intellectual property, including DRM and IRM
  7. Managing Writers and Illustrators in the Freelance Market
    • Types of freelancers and their services
    • Working with publishers, writers, and illustrators
    • Why authors choose to write
    • Specialist professionals and consultants
  8. Managing Production, Distribution, and Author Promotion
    • Sales agencies, PR, and conferences
    • Establishing an author platform
    • Networking
    • Social media
    • Media releases
    • Timing of production and distribution
    • Quality control
    • Marketing approaches, including total market approach, market segmentation, and developing the marketing mix

DURATION    100 hours

AIMS

  • Discuss the important considerations that affect the decision of what to publish.
  • Describe the process of planning the publication of a non-fiction book.
  • Discuss the financial requirements to produce a new publication.
  • Develop procedures for managing staff, freelancers and other resources in a self-publishing business.
  • Demonstrate insight into the different types of potential risks in a publishing business, including legal and financial risks.
  • Develop an improved capacity to work effectively with colleagues in the publishing industry.
  • Develop procedures for the management of production, and distribution of a publication.

 


What Resources are Needed to be a Publisher

The good news is that almost anyone can be a publisher today, at least on the internet. If you are prepared to work hard, and multi task; it is much less costly to get a start, than what it was in the past. Here is some of what might be needed though:

Staff

What staff will be required during the production stages?

  • specialist writers
  • editors and proofreaders
  • photographers, illustrators, graphic designers, desktop publishers
  • web designers
  • admin staff

Production Resources

What specialised equipment is required?

  • technical equipment – computers, printers
  • access to photo libraries and research facilities

Printing

  • Will offshore or local printers be used? Offshore may be less expensive but will take longer and incur higher freight costs.
  • Is colour printing required?

Marketing and distribution

  • warehouse or storage facilities
  • distribution channels
  • retail outlets

Materials

If the publication is a book, newspaper, magazine, journal or other printed matter, also consider the materials required:

  • What paper will be used?
  • What cover is suitable (soft or hard)?
  • How will it be bound?

Quantity

Market research is essential to making accurate or reasonable predictions:

  • What is the number of likely readers?
  • What is the proposed circulation?

Distribution

Distribution involves the method and points of distribution, and the quantities to be distributed:

  • Will the publication be sold or free?
  • Will it be distributed through one-off sales or subscription, or supplied with something else, such as a society membership?
  • Would it be better to use single or multiple distribution points?

     

 

 

 

 

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Meet some of our academics

Alison Pearce (general)P.G.Cert. Ed., M.Ecotourism, S.Sc. (Hons). Alison has held many positions including: University Lecturer, Writer, Quality Assurance Manager, Research Technician, Vet Nurse and stockwoman. Over 30 years industry experience, mostly in Australia and the UK.. Alison originally graduated with an honors degree in science from university and beyond that has completed post graduate qualifications in education and eco-tourism. She has managed veterinary operating theatre, responsible for animal anaesthesia, instrument preparation, and assistance with surgical techniques and procedures.
Dr. Gareth PearceGraduated from the University of Nottingham in 1982 with a B.Sc.(Hons) in Animal Science. Between 82 and 85 worked as Research Assistant and Demonstator in Animal Science at the University of Leeds. Over more than 30 years he has furthered his studies, obtaining eight significant university qualifications including degrees in Veterinary Science, Wildlife Conservation and Animal Behaviour. Gareth has significant teaching experience around the world as a faculty member at eight different universities including Associate Professor at Murdoch University and Director of Studies in Veterinary Science at Cambridge University. He has over 100 prestigious research papers published, and enjoys an outstanding international reputation in the fields of animal and veterinary science.
Jade SciasciaBiologist, Business Coordinator, Government Environmental Dept, Secondary School teacher (Biology); Recruitment Consultant, Senior Supervisor in Youth Welfare, Horse Riding Instructor (part-completed) and Boarding Kennel Manager. Jade has a B.Sc.Biol, Dip.Professional Education, Cert IV TESOL, Cert Food Hygiene.
Tracey Jones (writing)Tracey has enjoyed creative writing since she was a child. She has had several short stories published and a novella. She is also a keen writer of children's stories and poetry. She has also written many academic and non-fiction books in the fields of psychology, sociology, child development, writing and marketing.


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Professional WritingProfessional writing is any writing that you are being paid for. It can include fiction writing, a best-selling book, articles in a magazine, articles in a newspaper, blogs for companies, technical manuals or procedure manuals, copy for catalogues, newsletters, text books and other academic material and so on.